An approach to the methodology. Course of Musical Analysis – Syntax, Semantics and Perception – Manuel de Falla Conservatory, Buenos Aires, Argentina, June 2019. Sponsored by the Centre for Pianistic Studies

//An approach to the methodology. Course of Musical Analysis – Syntax, Semantics and Perception – Manuel de Falla Conservatory, Buenos Aires, Argentina, June 2019. Sponsored by the Centre for Pianistic Studies

An approach to the methodology. Course of Musical Analysis – Syntax, Semantics and Perception – Manuel de Falla Conservatory, Buenos Aires, Argentina, June 2019. Sponsored by the Centre for Pianistic Studies

Day 1 (watch video). Syntax, Semantics and Perception. Meaning and sense of this order in musical analysis. Parameters of music. Disciplines that support this methodology. Goals and fundamentals of the methodology. Relevance of a non-prejudiced methodology. Benefits. Analytical Strategies. Pairs of opposites that regulate auditory perception. Chronological evolution. Fundamentals. Constants and variables. Conscious use of the predictable and the unpredictable. Positive modes of action. Types of change – Degrees of change.

Day 2 (watch videos). Phase of delimitation and articulation of Formal Units. Phase of description of Formal Units. Polyphonic Density. Positive modes of action. Phase of assignment of Functions to the Formal Units.

Music score and graphics to download:  2   3

2020-01-14T16:25:32+00:00 17 agosto, 2019|Categorías: Sin categoría|